Hollowell's paintings have been described as "abstract body landscapes" by Martha Schwendener of the New York Times.Known for paintings and drawings that explore the bodily landscape, Loie Hollowell's practice exists in the liminal space between abstraction and figuration, otherworldly and corporeal.

Originating in autobiography, her work explores themes of sexuality, pregnancy and birth. Hollowell's geometric compositions use symbolic shapes such as the mandorla, ogee and lingam to build her distinctive visual lexicon. In referencing her own personal experiences, Hollowell's paintings are at once personal and universal in their fierce vulnerability. Her use of symmetry - often anchoring her compositions in a central, singular axis - relates her paintings to her own body as well as the natural world.

For Hollowell, the scale of her work is particularly significant as she creates each work in direct correlation with the size of the body part depicted, be it her head, breasts, groin, or entire body. Furthering her exploration of physicality, Hollowell adheres sculpted forms onto her canvases to confound expectations of painting. Hollowell’s protruding forms are blended seamlessly, forcing the viewer to move around the canvas to determine whether it is an illusory flat surface or three-dimensional. This adds a playful, performative aspect to her work that speaks to Hollowell’s masterful manipulation of space, surface, light and shadow.

With strong colors, varied textures, and geometric symmetry, Hollowell’s practice is situated in lineage with the work of American artists like Agnes Pelton, Georgia O’Keeffe and Judy Chicago. She is also greatly influenced by the work of the California Light and Space Movement as well as Neo-Tantric painters like Ghulam Rasool Santosh and Biren De.

Nicolas Party (b. July 1, 1980 is a Swiss visual artist living and working in New York City and Brussels. He is known for his multi-media interdisciplinary immersive exhibitions. He received his BFA from the Lausanne School of Art in 2004 and his MFA from the Glasgow School of Art, in Glasgow, Scotland in 2009. Party's work has been the subject of solo exhibitions at the Montreal Museum of Fine Arts, Montreal, the Magritte Museum in Brussels,[1] the Dallas Museum of Art, and the Hirshhorn Museum.[2][3] For his second exhibition at the Hirshorn which runs from Septembe 

party is represented by Hauser & Wirth, The Modern Institute, Kaufmann Repetto, Gregor Staiger, Karma and Xavier Hufkens. In February of 2020 he had his first solo exhibition, "Scottsboro" with Hauser & Wirth at their Los Angeles, California venue.

Among the artists Party cites as having influenced his painting are Rosalba Carriera, Félix Vallotton, Milton Avery, Pablo Picasso, and Giorgio Morandi.

Party's landscapes often draw from or even directly cite styles and motifs from a diverse set of contemporary painters and painters of previous generations, including Salvo, a similarity picked up at a number of exhibitions.

Artist Jordy Kerwick is an Australian contemporary artist and currently resides in France. His work is currently on display at the Museo Nacional Thyssen-Bornemisza in Madrid. Unlike other artists, Kerwick did not have formal art education, and he taught himself to paint as a hobby.
Jordy Kerwick's full-fledged work began around 2016, and numerous collectors praised his portrayal of him for being greatly impressed and feeling a new era. It also set records in various ranges with several entries into the auction, and in 2022, it was auctioned off for $277,200 at the Sotheby's auction. It gained marketability and recognition, where paintings are currently not available in galleries.

Liu Wei (b. 1972, Beijing, China; lives and works in Beijing, China) explores 21st-century socio-political concepts such as the contradictions of contemporary society and the transformation of developing cities and the urban landscape. In many of his sculptural and installation works, he uses found materials that are re- contextualized to draw new meanings out of the materials from which they are made. Liu Wei frequently uses geometric and architectural forms in his work as a reference to his urban surroundings.

Liu Wei graduated from the National Academy of Fine Arts, Hangzhou, China in 1996. Solo exhibitions of his work have been organized at Long Museum, Shanghai, China (2020); Cleveland Museum of Art, Cleveland, OH (2019); Museum of Contemporary Art, Cleveland, OH (2019); Long March Space, Beijing, China (2018); PLATEAU, Samsung Museum of Art, Seoul, South Korea (2016); Ullens Center for Contemporary Art (UCCA), Beijing, China (2015); Museum Boijmans Van Beuningen, Rotterdam, the Netherlands (2014); and Minsheng Art Museum, Shanghai, China (2011). Liu Wei has participated in several international biennials and notable group exhibitions including Urban Impressions: Experiencing the Global Contemporary Metropolis, Moody Center for the Arts, Houston, TX (2022); Aesthetics: Collection of Qiao Zhibing, Tank Shanghai, Shanghai, China (2021); The Allure of Matter: Material Art from China, Smart Museum of Art, Chicago, IL (2020); Bodyscapes, The Israel Museum, Jerusalem, Israel (2020); Trilogy of Contemporary Art in China: THE SCAR, Busan Museum of Art, Busan, South Korea (2020); Homo Faber: Craft in Contemporary Sculpture, Asia Culture Center, Gwangiu, South Korea (2019); The Allure of Matter: Material Art from China, Los Angeles County Museum of Art (LACMA), Los Angeles, CA (2019); the 58th Venice Biennale, Venice, Italy (2019); Art and China after 1989: Theater of the World, Guggenheim Bilbao, Bilbao, Spain and the San Francisco Museum of Modern Art, San Francisco, CA (2018); What About Art? Contemporary Art from China, Qatar Museum, Doha, Qatar (2016); Bentu, Chinese artists at a time of turbulence and transformation, Fondation Louis Vuitton, Paris, France (2016); La vie Moderne, La Biennale de Lyon, Lyon, France (2015); 28 Chinese, Asian Art Museum, San Francisco, CA (2015), San Antonio Museum of Art, TX (2015), and Rubell Family Collection, Miami (2013); Re:emerge: Towards a New Cultural Cartography, Sharjah Biennial 11 (2013); 4th Guangzhou Triennial, China (2012); Rehearsal, Shanghai Biennale (2010); Expenditure, Busan Biennale, South Korea (2008); and the 51st Venice Biennale, Venice, Italy (2005).

Liu Wei’s work is included in numerous collections such as the Astrup Fearnley Museet, Oslo, Norway; Baku Museum of Modern Art, Baku, Azerbaijan; Burger Collection, Hong Kong; Castello di Rivoli Museum of Contemporary Art, Turin, Italy; Cleveland Museum of Art, Cleveland, OH; DSL Collection, Paris, France; Faurschou Foundation, Copenhagen, Denmark; Guy and Myriam Ullens Collection, Belgium; Hammer Museum, Los Angeles, CA; Haudenschild Collection, San Francisco, CA; Fondazione Sandretto Re Rebaudengo, Turin, Italy; Leeum, Samsung Museum of Art, Seoul, South Korea; M+ Sigg Collection, Hong Kong; National Gallery of Victoria, Melbourne, Australia; Rubell Family Collection, Miami, FL; Solomon R. Guggenheim Museum, New York, NY; Virginia Museum of Fine Arts, Richmond, VA; and White Rabbit Gallery, Sydney, Australia. The artist has received honors and distinctions including the Atron AAC Award for Artist of the Year (2016); Martell Artist of the Year (2012); Credit Suisse Today Art Award, Today Art Museum (2011); CCAA Award for Best Artist (2008); and a CCAA Honorable Mention (2006).